Tag Archives: afro-latin

Black Banana: Exhibitions of Absence

 

Black Banana: Exhibitions of Absence – the paper

by Novel ‘Idea’ Sholars  and  Maira Nolasco                          

PDF:blackbananaExhibitionsofAbsencepaperdraft2

Introduction

Black Banana is the examination of structural racism in art curation and it’s effects on descendants of Africa living in Latin America. Acting as a metaphor, it sheds light on the absence of those of the African Diaspora in the workforce, and as a part of the overall Latin American cultural project. What are the histories of these erasures, and how does this history prove the existence of a racist hegemony that results in cultural exclusion? When did the whitening of Latin America begin and how does this whitening affect the economy of the black populations as well as their integration into Latin American society? Is the lack of Black Latino representation proof of racist curatorial practices in the Latin American contemporary art world? These are the questions this project hopes to explore. The Black Banana focus is to create awareness around the possible denial of racism and how that denial effects who and what is curated. Ultimately the goal is to provoke an open dialog about identity, hybridity, and access. Continue reading Black Banana: Exhibitions of Absence

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FINAL – Black Banana: Exhibitions of Absence – the paper

Introduction

  Black Banana is a brief examination of structural racism in art curation and it’s effects on descendants of Africa living in Latin America. Acting as a metaphor, it sheds light on the absence of those of the African Diaspora in the workforce, and as a part of the overall Latin American cultural project. What are the histories of these erasures, and how does this history prove the existence of a racist hegemony that results in cultural exclusion? When did the whitening of Latin America begin and how does this whitening affect the economy of the black populations as well as their integration into Latin American society? Ultimately, is the lack of Black Latino representation proof of racist curatorial practices in the Latin American contemporary art world? The Black Banana focus is to create awareness around the possible denial of racism and how that denial effects who and what is curated. Ultimately the goal is to provoke an open dialog about identity, hybridity, and access. 

PDF below

blackbananaexhibitionsofabsencethepaperbynovelsholars

Looking for Blackness | Update

I’ve connected with Mai Elka Prado Gil who is the co-founder of The Afro Latino Project. It’s an organization that has as mission to serve as a digital resource center and archive for the historical and material documentation and preservation of the cultures, histories and experiences of Afrodescendant people in the Americas and the Caribbean. We are planning to get together to talk further about the ways she and her partner, Amilcar Maceo Priestley can help in developing the project, Looking For Blackness. My hope is that it will be a seamless addition to the overall Guatemala project. Mai Elka mentioned that they are connected to the Garifuna and have collaborated on other projects. Right now I’m looking at developing an installation of video, photography and live performance. Included will be a panel discussion on race, art and curation in Guatemala/Latin America. Taking a cue from Julian, who suggested connecting with AfroLatinos here in New York, we can draw out the connections between the American experience and that of Latin America, with regards to questions of racism, curation of art and general access or cultural inclusion. I also have a connect in Belize that I am exploring.