Category Archives: Events

Events that may be of interest and pertinence to the class.

A Panel Discussion in Conjunction w/ Exhibition Bearing Witness: Art and Resistance in Cold War Latin America

Please join the Anya and Andrew Shiva Gallery and the Historical Memory Project (HMP) in welcoming a panel of scholars and artists to discuss the content of the exhibition, its sociohistorical context, and the significance of bearing witness. 

September 8, 2014, 6-8pm
at the Anya and Andrew Shiva Gallery

at John Jay College of Criminal Justice, CUNY

860 11th Avenue (New Building)
New York, New York 10019

Subways: ABCD1 to 59th Street-Columbus Circle

Our esteemed panelists:
  • Jeffrey Blustein, Arthur Zitrin Professor of Bioethics and Professor of Philosophy at City College and the Graduate Center, CUNY
  • Estrellita B. Brodsky, Independent Curator
  • Marcia Esparza, Associate Professor of Criminal Justice at John Jay College, CUNY; Founder and Director of HMP
  • Cyriaco Lopes, Photographer; Professor of Photography at John Jay College, CUNY
  • Iván Navarro, Artist

Moderated by Lydia Shestopalova, Adjunct Faculty at Guttman Community College, CUNY; Assistant Director of HMP

The panel will be followed by a Q&A with the audience.

This meaningful event is the closing of HMP’s year-long photographic exhibit commemorating the 40th anniversary of the coup d’état in Chile, which took place on September 11, 1973. We celebrate this opportunity to mark the collaboration with visual and multimedia artists through the exhibit and through conversation. The exhibit bridges the power of photojournalism with artistic methods of bearing witness; the stimulating panel discussion will emphasize the importance of memory and put the exhibit in both historical context, as well as link it to the contemporary, political and social realities in Latin America and beyond.

This event is free and open to the public. ID is required to enter the building.
Light refreshments will be served.

Co-sponsored by the Department of Art and Music, John Jay College, CUNY.

For more information about Historical Memory Project (HMP) please visit website: 

Closes September 12, 2014

While censorship, kidnapping, torture, and murder became common tactics for repressive governments throughout Latin America during the Cold War, many artists from the region responded by producing poignant works of art that speak out against these atrocities. This exhibition brings together three distinct bodies of work that do so through documentation, poetic subversion and revelation.

In 1972, Julio Le Parc, in collaboration with the artist group La Denuncia, produced a vividly explicit installation entitled La Tortura ( The Torture). The work exposed the secret detention and interrogation methods that took place during Brazil’s military dictatorship. Based on accounts by fellow artists and the Brazilian Friar Tito, La Tortura is comprised of seven panels, painted in a hyper-realistic style, depicting individuals undergoing torture.   La Tortura’s cell-like installation recalls such iconic works as Francisco Goya’s Disasters of War series, the journalistic photography of Carlos Marighella, and Christ’s martyrdom by Caravaggio, all of which denounce the consequences of human degradation and atrocities in the name of civilization.

In contrast to the brutally graphic quality of La Tortura, photographs by Juan Carlos Caceres and 
Rodrigo Rojas De Négri document public displays of power and protest in Chile during Pinochet’s military dictatorship in the1980’s.  These images demonstrate powerful moments in the prolonged struggle against state violence.  Caceres, by immersing himself within the local context, created images that allow us to witness the plight of Chileans under Pinochet’s regime.  De Négri, who returned from exile in 1986 to document and participate in the resistance movement, was killed by government forces at the age of 19.  He was subsequently honored as a member of the Association of Independent Photographers (AFI), for his important work which appears courtesy of his mother, Verónica De Négri.

Formed in Santiago de Chile in 1979, at the height of Augusto Pinochet’s brutal military regime, CADA (Colectivo de Acciones de Arte) was a short-lived artist and activist collective that included visual artists Lotty Rosenfeld and Juan Castillo, and writer Diamela Eltit, poet Raúl Zurita, and sociologist Fernando Balcells. Combining conceptual practices and effective agitprop tactics, the group developed a number of performances and urban interventions that challenged political repression and solicited viewers’ participation.

The video, The Missing Monument For Washington D.C. (2008) , by Chilean artist Iván Navarro offers yet another reaction to conditions in the region by responding to the killing of singer-songwriter Victor Jara in 1973. The touching video, features two men, one of whom is strumming a guitar while speaking the lyrics composed by the popular Chilean singer song-writer, Jara entitled “Estadio Chile?”.  Written in September 1973, while Jara was held captive in a stadium along with thousands of others, the poem was smuggled out by survivors. Jara himself was tortured and murdered, his body thrown in a mass grave.

Through the use of archival material, witness accounts and direct observation the artists represented in Bearing Witness offer both overt and subversive reactions to the history of political violence in cold war Latin America.  Their powerful works compel us to engage with the historical record of oppression in the region as well as the legacy of political violence as it continues to affect our lives today.

Curated by Roberto Visani, Estrellita B. Brodsky, Pierre-Yves Linot, with the assistance of Lydia Shestopalova.

Gallery Hours: 1-5pm, M-F, or by appointment
for further information please contact

Event: How to Curate Art in the Public, Sept 8th, 2014

PROTEST, PICNIC, POIESIS: How to Curate Art in the Public with KAREN VAN DEN BERG

Monday, September 8, 2014, 8:00 pm

The Bark Room (Orientation Room), Sheila C. Johnson Design Center

2 West 13th Street, Room M101, New York, NY 10011

PROTEST, PICNIC, POIESIS: How to Curate Art in the Public with KAREN VAN DEN BERG

The current debate about public art is dominated by terms and concepts such as the right to the city, local knowledge and social engagement.  Consequently, collaborative or collective modes of production have become more important and the articulations of protest culture, collaborative art projects and Street Art have taken on a new significance. 

In the context of this changing background, Karen van den Berg, professor and chair of Art Theory and Curating, Zeppelin University, Germany will share some thoughts about how to shape policy and curate art in the public sphere today.

Co-sponsored by the Sheila C. Johnson Design Center and the Fine Arts Program, School of Art Media and Technology.

Pablo Jose Ramirez at Independent Curators International

Pablo José Ramírez: To Think the Impossible
(Radical indigenous contemporary art)
Thursday, September 4, 2014
ICI Curatorial Hub

401 Broadway, Suite 1620
FREE and open to the public

Pablo José Ramírez, curator, political theorist and writer based in Guatemala, presents a talk titled “To Think the Impossible (Radical indigenous contemporary art).”

What happens when those deemed unauthorized produce contemporary art? Several artists operate from uncomfortable places of enunciation: they challenge the controlled discourse which attempts to dominate and sanitize certain art productions that speak from twisted places or cultural forms that do not fit in with the idea of the white mestizaje or neoliberal multiculturalism. Artists like Reyes Josué Morales, Benvenuto Chavajay, Javier Calvo, Sandra Monterroso, and Terike Haapoja operate within the limits of modernity; these particular experiences are intersected by community, the political state of art, indigenous cultures, the problem of language, the ritual, and border epistemologies.

In this discussion he will address these approaches by exploring the experiences of projects such as:Estados de Excepción, produced by Ciudad de la Imaginación, the XIX Bienal de Arte Paiz in Guatemala, andThe Party of Others by Terike Haapoja. These curatorial projects attempt to think of models for exhibiting that operate at the crossroads of the object of art, the writing of seminal histories, and the material culture of the artist.

This event is free and open to the public. To attend, please RSVP to with PABLO in the subject line.

Visit ICI’s event page for more information.