Daniel Hernández-Salazar: Photography as Intervention

This topic came two weeks ago, after a good discussion with Nitin and Julian and my curiosity on the use of images on handling the issue of enforced disappearance from the point of view of a Guatemalan artist. After research, I realized that enforced disappearance is one of many techniques used by the military dictatorship to kill their own citizens. The main thing still remains: people were died so horribly and no justice has been done ever since. What the government did (and still does) is institutionalizing forgetfulness. So, the thing that has to be done is how to keep the historical memory alive, and not forgotten. Daniel Salazar’s work has been instrumental in keeping the memory alive. Through his Angels, he has a specific way to employ what he called a ‘guerilla art,’ an artistic and political approach and a visual intervention in public places in Guatemala that took the Guatemalan residents by surprise, that asked them to always remember and that proves to us all how art can be powerful in making a political statement.

My presentation: Photographic Art as Visual Intervention in Public Places.

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